The real finesse begins when the camera is assigned not only a role – observer, omniscient narrator – but is also assigned an attitude (curious, amused, anticipating, foreshadowing, etc.) And a character of its own (lyrical, critical, cynical, voyeuristic, etc.). But in most movies, the camera assumes a more omniscient point of view. If the story is told as one character’s story or “subjectively”, the camera plays the role of the first person observer, showing only scenes in which the main character participates. definition, as it would be if the narrator were really omniscient. An omniscient narrator is one who knows everything that is going on in the story, or even more appropriately, everything that is going on in the universe where. We call them objective (through the eyes of a third person observer) and subjective (through a specific first person character). Wallace Martin writes, omniscient narration becomes a kind of dumping ground. Just like a narrator in literature, the camera can use two points of view that equal the first and third person. In a movie, the camera dramatizes the process of viewing the action and bring it on screen, allowing our eyes to see only what and how the “camera narrator” shows it to us.Ī film is “told”, but the story is shown by a camera narrator.
As in literature, such a role and character needs to be introduced from the start and must be kept consistent throughout the whole picture to avoid a break of stylistic unity. The narrator is an all-knowing observer who can relate what every character thinks and feels. Third-person omniscient point of view definition. The narrator is someone outside the action, rather than a character. The real finesse begins when the camera is assigned not only a role – observer, omniscient narrator – but is is also assigned an attitude (curious, amused, anticipating, foreshadowing, etc.) And a character of its own (lyrical, critical, cynical, voyeuristic, etc.). The reader sees everything through this character's eyes.
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